Christopher Gaudi

Oboist and Teacher

About

Christopher Gaudi has enjoyed an active career performing with some of the most respected orchestras in the United States and abroad. He has held positions including Acting Principal Oboe of the Phoenix Symphony, Acting Associate Principal Oboe of the San Francisco Symphony, Acting Assistant Principal Oboe of the National Symphony Orchestra in Washington, D.C., Principal Oboe of the San Diego Symphony, and Interim Professor of Oboe at Indiana University’s Jacobs School of Music.

Mr. Gaudi has appeared as Guest Principal Oboe with the Aspen Chamber Orchestra and the Atlanta, Seattle, and Puerto Rico Symphony Orchestras. He is also a regular substitute with the Metropolitan Opera and has performed with the Cleveland Orchestra, the Los Angeles Philharmonic, and on multiple occasions at the White House. Internationally, he has performed with the Auckland Philharmonia and Orchestra Wellington in New Zealand.

He has participated in many of the country’s leading festivals, including the Aspen Music Festival, Kent/Blossom, Mainly Mozart, Mostly Mozart, the New York String Orchestra Seminar, the Interlochen Arts Camp, and the Spoleto Festival in Italy.

A passionate educator, Mr. Gaudi has presented masterclasses at the Aspen Music Festival, the Colburn School, Interlochen Arts Academy, The Juilliard School, and Hidden Valley Music Seminars. He is also the creator of instructional resources for oboists of all levels, focusing on essential fundamentals such as air control, articulation, and reed making.

He holds both bachelor’s and master’s degrees from The Juilliard School, where he studied under Elaine Douvas and John Mack, and received full-tuition scholarships for both degrees.

Teaching Philosophy

I believe the knowledge passed from one generation of oboists to the next is sacred—and should be shared without reservation. It’s my turn to pass on what I’ve learned, and I’m excited to share it with you now.

Whether you’re just starting out or have been playing for years, the lesson I’ve created is designed to help take your oboe playing to the next level.

Some might call it a simple “warm-up routine,” and in a way, they’re right. It is simple—and you can certainly use it as a warm-up—but it’s much more than that. This is a series of progressive exercises that naturally cover every fundamental aspect of oboe playing. If you take the time to really think through and master each concept, your playing will improve—naturally and automatically. I call this series Back to Basics.

Unlike working at the surface level with etudes, excerpts, or solo pieces, these exercises go deep—into the foundation of healthy, efficient playing. At the center of it all is air control, or what I call “holding the air.” That’s why the first exercise starts there.

At first glance, these exercises may seem deceptively simple. But if you give them time and attention, you’ll uncover real depth. There are entire worlds hidden in this six-part lesson.

The more carefully you listen, the more you’ll hear—and you may be surprised by how much you enjoy (and even look forward to) practicing these exercises after just a few days.

In addition, I’ve often been asked about double tonguing—how to learn it, how to refine it, and how to make it feel natural. To answer those questions, I’ve written out my complete approach in a second handout, focused entirely on developing and mastering this invaluable skill. It’s also available for download.

Wishing you great success in your playing!

I believe the knowledge passed from one generation of oboists to the next is sacred—and should be shared without reservation. It’s my turn to pass on what I’ve learned, and I’m excited to share it with you now.

Whether you’re just starting out or have been playing for years, the lesson I’ve created is designed to help take your oboe playing to the next level.

Some might call it a simple “warm-up routine,” and in a way, they’re right. It is simple—and you can certainly use it as a warm-up—but it’s much more than that. This is a series of progressive exercises that naturally cover every fundamental aspect of oboe playing. If you take the time to really think through and master each concept, your playing will improve—naturally and automatically. I call this series Back to Basics.

Unlike working at the surface level with etudes, excerpts, or solo pieces, these exercises go deep—into the foundation of healthy, efficient playing. At the center of it all is air control, or what I call “holding the air.” That’s why the first exercise starts there.

At first glance, these exercises may seem deceptively simple. But if you give them time and attention, you’ll uncover real depth. There are entire worlds hidden in this six-part lesson.

The more carefully you listen, the more you’ll hear—and you may be surprised by how much you enjoy (and even look forward to) practicing these exercises after just a few days.

In addition, I’ve often been asked about double tonguing—how to learn it, how to refine it, and how to make it feel natural. To answer those questions, I’ve written out my complete approach in a second handout, focused entirely on developing and mastering this invaluable skill. It’s also available for download.

Wishing you great success in your playing!

Student Feedback

"I really loved how you took one concept, (sustaining a long musical line) and described it to me in multiple ways until I started to grasp what you were saying. I really liked that you weren't satisfied until you could tell that I understood a concept you were teaching me, it showed that you actually cared if I retained the information or not. At the very end of the lesson, you gave me very specific things to work on in the future to reach my full potential, and that was super helpful!"
Bobby Nunes
"I really enjoyed studying with Mr. Gaudi. His advice is very insightful and encouraging. One of the main things I took away from our lessons together was how to better look at the big picture. Mr. Gaudi showed me how to take the music off the page and make it sing. I had been so bogged-down with tiny details, it was like a rediscovery of my love for music. I've noticed that Mr. Gaudi is very good at tailoring advice based on each student's individual challenges."
Daniel Gurevich
"Studying with Chris has provided me with comprehensive support as an oboist. His reed making, lessons and musical coaching have taken my oboe playing and musicianship to a higher level in a very short time. As an inspiring orchestral and solo oboist, Chris has supported my endeavor in the lineage I am accustom to. From the basics to the refined result, He gracefully guides you there. I chose Chris as a teacher after reading his Blog and comparing him to other professional Oboists because I sensed that he was open-minded and eager to share his knowledge and I was right!"
Bonnie Williamson
"Chris is a wealth of knowledge on all aspects of oboe playing and reedmaking. He has corrected the way I utilize my air, embouchure, and tongue so that I can play with a more focused tone and smoothness of line. Though these are fundamental aspects of playing well, I had developed bad habits that were overlooked by former teachers. I made immediate progress with Chris in this regard, and less than a year of studying with him, I auditioned for and was accepted to a MM program at a competitive conservatory. In addition, Chris's sincerity and patience as a teacher make for a comfortable learning environment."
Virginia Kao

Contact

If you are interested in sending a message, asking a question, or getting in touch to arrange a playing or reed making lesson, please use the form below.

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